

| 1 |
POWER ISSUE
MASTERS OF INFLUENCE—power in America
Our short list of the most powerful Hispanics, from familiar faces, to
those destined to be known.
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GOOD CALL
How Padre Alberto followed the voice in his heart to become an international
media mogul, a self-help coach and a bestselling author.
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VEGAS’ SAFEST BET— power
in media
Univision news director Adriana
Arevalo steers Spanish-language coverage in the nation’s second
fastest growing Hispanic television market.
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TAKING WING—power through philanthropy
Made up of determined high profile Latin American artists and business
people, the organization ALAS is launched.
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EN LA LUCHA
A photo essay from shutterbug Malcolm Venville’s Lucha Loco, a collection
of photographic portraits featuring masked lucha libre wrestlers.
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IN GOOD COMPANY
The nation’s top Hispanic-friendly firms.
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SPEAK OF THE DEVIL
Hockey phenom Scott Gomez of the New Jersey Devils is slap-shooting his
name into the history of the sport.
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TOP HONORS
The military leaders awarded by
Hispanic Magazine.
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The superpowerful
LUCHA LOCA
they’ve got all the right moves
By Marissa Rodriguez
Part theater, part performance, part acrobatics and
a touch of circus wonder: The dramatic art of Mexican wrestling
can be described as all these things and more. The glorious masks,
the classic battle between wrestlers who stand for good against
their evil counterparts, and of course the aerodynamic and death-defying
moves, it’s all thrilling. And it’s as much a part of
the Mexican cultural diaspora as it is a growing phenomenon in the
U.S. Just take a look at the recent comedy Nacho Libre or Warner
Bros. animated Mucha Lucha on Cartoon Network for proof.
Mexican or not, we all love a good
lucha libre.
It seems Malcolm Venville would agree. The British photographer
behind the new photo book Lucha Loco also seems to want to shed
light on the superpower wrestlers themselves, outside the ring and
its theatrics.
Though the book is essentially a compilation of 120 studio portraits
of luchadores dressed up in their fighting best, it’s less
of a dolled-up yearbook and more of an exploration between the wrestler
persona and the men who make them.
In the illuminating introduction, writer Sandro Cohen reveals that
wrestlers are really moonlighters. During the working hours they
are accountants, salesmen, television repairmen, and come fight
time, they don tights, masks and characters. This truth lends them
a superhero quality, after all Superman wore tights and Batman was
little without the mask and cape.
Alongside each shot is a small truth about the man behind the mask.
Aguila Negra, clad in his black-and-white embroidered mask reveals:
“My job is to sell meat, I’m a butcher. My favourite
hold is the cross.” With his sweaty long hair and frightening
red and black mask, one can hardly believe Dr. Muerte’s confession,
“And I’m also in sales.”
It’s this element of humanity that lets the reader in on the
superpowers’ inner Clark Kent and Bruce Wayne, something rarely
shared in the ring, but gladly devoured by any lucha libre fan or
reader lucky enough to get their hands on Lucha Loco.
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